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Keliling-keliling

Festival Wayang Di Jakarta

Among the many fine performances I saw at the Pekan Wayang 7 here in Jakarta two weeks ago, I thought the best was the Wayang Ukur. The director was Ki Sukasman from Jogjakarta. They performed "Sumantri Ngenger" and "Yang Dimuliakan" on two nights.

Now, this is not your father's wayang. They had three dalangs, one in front and two in back of a scrim. Scrim is a theatrical material that looks like a white screen when light is shined on it from the front, but is translucent when there is light at the back of it. So, they had leather puppets front and back, and with the multi-colored lighting, you could see them directly, shadow from front and back, and ghostly when illuminated on their front in back of the scrim. Not only that, they had live, wayang-orang type people coming out front to dance and sometimes a human character would be lit-up behind the scrim! It was fabulous when the characters that were represented by the puppets would to come "life" and dance simultaneously.

The music was normal gamelan Jawa but the story was in literary Indonesian language. The whole crew is 50 people. Definitely "qualitas expor."

I recorded "Sumantri Ngenger" on my computer in MP3 directly from the sound board. It is about 2.5 hours long and it is 85 megabytes total. If someone has a cable modem, perhaps I could mail a CD-ROM and it could be uploaded to a Web server so everyone can hear it. I also recorded "Ki Sukron Suondo - Begawan Panji Pamungkas" at seven hours and 230 megabytes of MP3. I suppose I could convert it to RA (Real Audio) format, too for streaming over slower modems.

Eric Boehlke
True Vision International
Website: http://www.he.net/~true
Email: true@he.net


Gamelan in Byron Bay

Byron Shire Gamelan Society has been very fortunate in successfully establishing the first Gamelan course that has ever been available in Byron Shire. The course in Sundanese Gamelan Music has been available to the Byron Shire community since 17 July 1999. Prof. David Goldswothy, Professor of Ethnomusicology from the University of New England, Armidale agreed to teach Sundanese Gamelan workshops in Byron with the help of gamelan musician/composer Kym Hall. Prof Goldsworthy has been the leader of the Armidale group - Gamelan Swara Naga for 20 years as well as teaching Gamelan Music as part of the Ethnomusicology course at the University.

As Swara Naga is in recess during 1999, Prof Goldworthy agreed to bring the Armidale Gamelan Orchestra to remain in Byron for a period of months in order that the Byron Shire community would have the opportunity to learn this beautiful, serene art form on a long term basis.

Sundanese Gamelan is a style of gong music originating in West Java in Indonesia. Sundanese music is famous for its lilting, resonant tones which create a peaceful, harmonious and meditative atmosphere. The first series of 2 -hour workshops has been held from July until the beginning of September. Classes will then resume the first Saturday in October. There have been two classes taking place at 12 noon and 3pm involving around 17 students. Once the gamelan group feel confident to perform, they intend to commence performing atound the Nth Coast Area of NSW. Any proceeds from these events will go towards the purchase of a gamelan orchestra for Byron Shire.

Furthur information is available on (02) 6685 7789 or 6685 5554.
Email: indoarts@mullum.com.au


News from Southern Queensland

BEMAC 's Cultural Landscape Festival at Inala
Brisbane July 25th l999

Judith and Cynthia attended this very nice day in the park in Inala, to present an information stall about AIAA. We talked to many visitors, giving out the website address and various pamphlets to share information with people about the aims and activities of AIAA. We also met many new friends who expressed interest in AIAA, and signed up a new member, Miko Saeri, who will be able to bring a wealth of talent , knowledge and commitment to AIAA's basic ideals. He has a very special skill in the Indonesian martial art , panca silat. Welcome to Miko.

The day was a credit to BEMAC's Moto Niwa, the Festival co-ordinator, and was the result of eighteen months of planning and rehearsals. There was a full programme of cultural dance and music during the afternoon and there was plenty of good food to enjoy. Singing, and dance performances were from the following cultures: Laos, Indonesia, Samoa, Vietnam. The aims of BEMAC and AIAA are very complementary and we would like to thank them for the opportunity to let more people know about AIAA.

Independence Day
August l7th, Indonesian Independence Day has just passed and has been celebrated wholeheartedly around Australia, as well as in Indonesia! At the Gold Coast, the Indonesian Community organised "Malam Nusantara" at the Community Centre, Runaway Bay. The Gamelan "Giri Jaya" from Toowoomba attended and with their guest gamelan master, Wayan Suwitra from Bali, played beautiful music for us. There was a full programme of dance and drama performance and nasi rames and sweet things to eat. Dance performers included Putu Postramo, and the Indonesia Dance Group Gold Coast who ae intructed by Mrs Vera Kos.

The following day I attended the celebration at Buderim, with the Sunshine Coast Indonesian Community. Another warm and wonderful afternoon of beautiful music, dance and food and friendship. There was a becak taking people for rides on the oval, and the smell of sate wafting in the air, mingling with the smell of kretek.

Included in the dancing was a very good Jaipongan. Kari sang Sundanese songs like an angel, and accompanied herself on kecapi. There were other great performers and a group of Batak singers ended the day with their cheerful energy, singing traditional songs of their culture.

Many thanks to the hardworking organisers of all these enjoyable celebrations.

Report by Cynthia
Email: cintia35@hotmail.com


"Bali Memories" by Cynthia


The Becak Driver

A Story from Jogjakarta
by Arthur and Corinne Cantrill

A film/theatre piece for film, slides and performer about a Javanese village family caught between the pressures of traditional life and the modern world.

In 1990 during a visit to Yogyakarta in Central Java, filmmakers Arthur and Corinne Cantrill became friendly with a becak (pedicab) driver - one of the thousands lining the city streets. He took the Cantrills to meet his family. They were moved by the family's struggle to maintain a day-to-day existence amid the beautiful surroundings of their kampung (village).

To help him break free from the dead-end and badly-paid becak work, and after much discussion and advice from Indonesian and Australian friends familiar with local customs, the Cantrills offered to help him set up a small business, and returned several times in the following years, recording the outcome on Super 8 film. For someone from a village background to set up a small business turned out to be more difficult than everyone thought - what had seemed at first a simple, positive idea, became a tangle of complications. Despite the problems, the warm relationship between people of very different cultural backgrounds survived.

This took place during an expansionary period in Indonesia, when it seemed possible to move up in the world a little. The disastrous drought of 1997 followed by the ongoing economic crisis dashed many plans and lives. The story is told with film, slides and sound, accompanied by Corinne Cantrill's live commentary. The image and non-sync sound functions as remnants of visual and audio memories - sometimes coinciding, sometimes existing separately. It was first shown at La Mama Theatre in Melbourne in 1998.

Admittance - $10/15. Bookings not necessary.
Rex Cramphorn Studio*, Centre for Performance Studies, University of Sydney
Wednesday 13th, Thursday 14th and Friday 15th October 7.30 pm
(*Coming from the City along Parramatta Rd, first turn left after the overhead footbridge into Ross St, and then left into Manning Rd.)
Enquiries: Contact the Cantrills on Tel/Fax: (03) 9380 6416 before October 9,
after which enquiries may be made on Sydney number (02) 9665 5875
Email: A.Cantrill@vca.unimelb.edu.au


Beasiswa Scholarships

Applications for Australia Development Scholarships are now open. The opening of the scholarship program is being advertised in national newspapers in August and September 1999. Candidates can obtain an application form from one of several sources including departmental training bureaux, university rectors or from the ADS Office in Jakarta. Candidates must complete the application form, answering all relevant questions and submit it to the ADS Office by 29 October 1999. Applications should be submitted as early as possible.

Bagi yang berminat mendapatkan Beasiswa ADS (Australia Development Scholarship) dari AusAID, silakan buka di alamat-alamat berikut;
www.adsjakarta.or.id
www.austembjak.or.id

Postal Address: ADS AusAID Gedung Pusat Perfilman
H Usmar Ismail 3rd Fl. Suite 311
Jl. HR. Rasuna Said Kv. C-22
Jakarta 12940

Phone: 62 21 527 7343
Fax : 62 21 527 7342
FaxPoll : 62 21 527 7341
Email : ads_info@adsjakarta.or.id


Artist Web opportunity at the Museum of Modern Art, NY

Any artist of any kind can have two Web screens to exhibit their work. The Web displays are part of a project at the Museum of Modern Art in New York. Each submission is limited to one photo of one artwork which should be pre-cropped to 127mm x 127mm at 72 lines per inch. There is room for the artist's name, the work's title, size, media, dimensions, a brief statement (500 words maximum) and ten hyperlinks. You will need to be able to host the photo on your own server somewhere.
To submit an artwork go to http://www.stadiumweb.com/artworks/submit.html
To see a sample page go to http://www.stadiumweb.com/artworks/sample.html
For more information contact Allan McCollum at allanmcnyc@aol.com>


Artists' studio space available
Barracks Artists of Thirroul (near Wollongong, NSW) have studio space available and invite artists to apply for the resident studio for a 3-month stint.
Apply to Barracks Artists, Church St, Thirroul, NSW, 2515.
Contact Judy for more info at judib@hotkey.net.au


The Rape of Sukreni
The Lontar Foundation in Jakarta has published "The Rape of Sukreni", written by Anak Agung Pandji Tisna and translated by George Quinn. The back of the book says:

"Violence, money and melodrama. These are the volatile ingredients of "The Rape of Sukreni". Written in the 1930's by a prince of the Balinese state of Buleleng, "The Rape of Sukreni" calls on the melodramatic conventions of Balinese theater to present a powerful indictment of the commercialization of Balinese society. Contrasting with the conventional image of Bali as a honeyed paradise flled with artists and happy tourists, "The Rape of Sukreni" offers a unique and dark view of the island's future."

AGI is please to assist Lontar in distributing this recent publication. The price is US$17.50, plus s/h (credit card or US check). Please inquire about review or desk copies. Excerpts of many of the Lontar publications and art works can be viewed at http://www.lontar.org


"Copper, Tin, and Fire: Gongsmithing in Java"
This video shows the amazing transformation of a small block of bronze into a beautifully polished small gong. The video was made by Sam Quigley in the Surakarta workshop of gamelan maker Tentrem Sarwanto, who is also interviewed on the tape.

"Copper, Tin, and Fire ..." is a treat for those who know Pak Tentrem and his wonderful instruments, and a revelation for those interested in instrument building and gong-making in particular.

We are very glad to have recently received a new supply of this wonderful video. Price is US$35, plus US$5 handling. PAL copies are also available.

Please contact us with questions or comments, either by email or through our website, and feel free to forward this message to anyone who might be interested.

We are happy to announce two CDs now available through AGI!

Commonality is the first CD of the music of Jakarta-based composer Tony Prabowo. Working with The New Jakarta Ensemble, a group of fine singers and musicians from West Sumatra as well as a Canadian viola player, Tony has created a set of pieces that showcases the particular talents of each member of the group as well as his own musical ideas. Some of these pieces were done for a recent collaboration called "Empty Traditions," performed at the Asia Society in New York City.

Shadow Music of Java was released a few years ago on Rounder records. It features the gamelan players of Wonogiri, Central Java, who accompanied dalang (shadow puppet master) Widiyanto when he performed at the Sackler Gallery in Washiington DC. The multiple tracks on this CD give a good sense of the range of musical styles used in a wayang performance, from the stately large gending that accompany audience scenes in the palace, to the joking songs where the solo female singers show off, to the rhythmically vigorous music used for the final battle scenes.

PRICE: US$15 plus $6 p&h Credit cards and institutional purchase orders accepted. Please let us know if you have any questions about these excellent recordings!

American Gamelan Institute (AGI)
Box 1052, Lebanon, NH 03766 USA
phone/fax: 603 448 8837
Visit AGI website at http://www.gamelan.org


Wayang Kulit in Japan

Dear Gamelan & Wayang lovers in Japan,

Performance "Wayang Kulit Bali"

We would like to inform you of our wayang kulit Bali Concert in Japan. Dalang is Mr.I Nyoman Sumandhi (SMKI) invited from Bali.

Where:Nogata-Kumin Hall, Nakano-ku, Tokyo, Japan.
(3 minutes walk from "NOGATA-station", Seibu Shinjuku Line.)
When:1999/08/31 (Tuesday) 7:00pm-9:00pm
Lakon:"Yudistira dadi caru (Yudistira becomes a sacrifice for Kala)"
Dalang:I Nyoman Sumandhi
Gender Wayang: Setu Banda
Our group "Setu Banda" consists of Japanese Gender Wayang players.
Tickets: 2,000 Yen (till 30th,Aug.), 2,500 Yen (at 31th,Aug.)

This is the first time in three years Pak Sumandhi has come to Japan and perform a wayang with us. From: Ako Mashino & Shigeki Shiroshima
Member of Setu Banda
e-mail: pakshima@geocities.co.jp
homepage: http://www2s.biglobe.ne.jp/~shiro/
Tokyo, Japan.

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